I’m an electronic musician, producer, step-sequencer, and sonic sketcher dabbling in random, experimental techno, electronica, and indie industrial-rock.

I started off DJing back in 1995 and quickly transitioned over to producing in Roland's MC-808, 505, and 303 alongside an original polyphonic Moog Minimoog–allegedly modified directly by Bob Moog himself, or so the story goes by Ian Smith (formerly of S.F.'s S.P.A.Z. collective) and a Korg M-1. Later, I dabbled in Reason and FL Studio (aka Fruityloops) before focusing on Ableton and Logic. Along the way, I befriended and helped promote several events, ranging from John-Emmanuel Gartmann's Tsunami (formerly Tsunami Trance) productions in N.Y.C. to Trevor Wyse's Green Sector parties in Southern California.

Professionally, I’ve served as a founding team member of The Do LaB, helping lay the foundations of the SoCal-based collective, and served as Director of Media Relations for Rooftop Promotion (later evolved into Visions From the Roof), where I promoted a diverse range of record labels and artists including Tresor Records, Simon Posford's Twisted Music (including his Hallucinogen and Sphongle releases), along with one of Ableton's founders, Robert Henke, and his music produced under Monolake/Imbalance Computer Music [ml/i], through a partnership with Germany's EFA Distribution. I’m currently working on several related events and ventures. Bookings and more: jedi@jediwright.com

Below is a small sampling of recent music I’ve written, performed, arranged, produced, and recorded.

Recent Tracks

A deep techno track journeying within the nether regions of the mind with a driving dancefloor tribal vibe at 133 BPMs.

A hard-driving acid techno track holding near-steady at 134 BPMs.

A multi-layered hard acid techno track clocking in at 148 BPMs.

 

An ode to raves, big hall/warehouse parties, and minimal and hard techno, this anthem-like techno track clocks in at a respectable 148 BPMs.

A dissonant, incessant techno track that chugs along at a steady 144 BPMs.

Part one of a multi-part series exploring different textures, layering, and pacing at 132 BPMs.

Hardcore Industrial Schranz Techno at 158 BPMs

Something heavy in the works and a preview into the Ableton recording and production process,
along with the first take and output–available on streaming platforms everywhere.

A preview of an Ableton Live track’s work-in-progress.

Explore More Music

Explore additional tracks, styles, and genres here through my SoundCloud profile.
I recently started publishing/releasing elsewhere, including:
Apple | Bandcamp | Beatport | Spotify